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Double Vision Exhibition for the Thirsty and Illiterate

Pubs across the country are often named after animals, trade tools and even reference the alcoholic elements of the drinks they serve.

In the past, found objects, such as an old boot or copper kettle were hung above the public house have also been known to act as a sign. So there was no problem for those who couldn’t read or were too drunk to see the establishment before them.

It's a boot

It’s a boot

Celebrating the art of the pub sign, painters, printers and illustrators have each created their own to be displayed in an exhibition at The Lauriston, Victoria Park Road.

With typography being a core element to the design, artists who were up for the challenge answered the Double Vision brief put out by curator, Mr Gresty.

Double Vision Exhibition_5

Mr Gresty said: “The target of Double Vision is to create a strong image that brings together two things that a thirsty and illiterate onlooker could identify.”

The sixteen artists selected did not only have to be “creative minded” but also had to have a sense of humour.

Double Vision Exhibition_2

One such artist, VJ Von, has created a piece called The Cock and The Pussy. Designed in true, British pub-sign style she playfully uses the famous image of the “Grumpy Cat” that went viral on the internet. Von believes art is a game, and an essential part of her practise is having fun and exploring.

The Grumpy Cat hates the pub

The Grumpy Cat hates the pub

Von said the Double Vision brief was very close to her heart.

She said: “I love fun art with a hint of cheekiness and irony and British Pub signs offer a best formula for a great piece of art.

“I think I just want people to have fun – that’s why we go to the pub, don’t we?”

Double Vision Exhibition_6

Another artist, Dylan White, works in animation and currently supervises post production on a children’s show.

White’s piece, Black + Tan references the traditional 50/50 mix of pale ale and stout, which he thought fitting for the brief. It’s also personal, as White said his Irish relatives told him “awful tales” about the stuff.

Mr Gresty, who has been putting on LHR exhibitions since 2013, works with artists who he admires and by showing their work in the pubs, hopes to raise their profile.

Double Vision Exhibition_4 (1)

A keen collector of objects, Gresty said he hopes the viewer look upon the work in the exhibition, as he does when he looks at his badges and rulers he keeps at home.

He said: “What interests me most in a collection is the comparisons and contrasts of the solutions of creative minds.”

Double Vision opens 7th March and runs until May. For more information see the Facebook page.

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Chinese Open 2014 Exhibition: Under the Car Park

Whilst tourists crammed into the sectioned off China Town to see thrusting Chinese dragons and children enveloped in gold for Chinese New Year, minus seven floors below in a car park, there was calm. Until a man in the corner blew up a balloon beyond bursting point.

Chinese Open 2014 exhibition

But far from being the car park monster of yesteryear, this man was performing as part of the Chinese Open 2014 exhibition to celebrate the year of the horse. Or year of the whores, courtesy of the BBC.

Constipation by Susana Sanroman

Constipation by Susana Sanroman

Over 100 artists contributed work to the exhibition, put together by artist and curator Vanya Balogh and sponsored by Geoffrey Leong. The underground show certainly filled up the space usually reserved for fancy automobiles, and was as refreshing to the eyes as a cold spoon. It was well worth the stress I encountered on the way, crowd battling and selfie-dodging up on the street level.

Chinese Open 2014 Exhibition

From a bottletop monkey to a woman singing in a horse mask,the eclectic mix of art not only stood out from the drab and concrete setting; it made a song and dance of it and shouted out loud.

Chinese Open 2014 Exhibition

Apart from providing a place for escaping the mania outside, the exhibition also put forth a platform for thought and interaction. Reeps One turned up in the afternoon to turn his pen to the photography of Ben Hopper, families played with the wheels of Mark Sowden and viewers dodged the horse-and-carriage bike rolling around and giving rides.

Horseplay

Horseplay

It’s an art crowd, so expect heaps of men who keep their sunglasses on at all times and kids who bring their pet rabbit.

Art Rabbit

Art Rabbit

Here’s a close up if you don’t believe me.

Snuffles

Snuffles

A great use of space with some thought provoking and playful work. It’s on until 9th Feb so do yourself a favour and go underground. For more info see the facebook page.

And here’s some more art featured in the exhibition:

Chinese Open 2014 exhibition

By Jeffrey Disastronaut

By Jeffrey Disastronaut

Chinese Open 2014 exhibition

Chinese Open 2014 exhibition

Karin Janssen: GROWTH, The Uncanny and The Artist Run Space

From screaming mouths to kinetic tapestries, the group exhibition at Karin Janssen Project Space on Well Street, GROWTH follows Karin Janssen’s curating debut in April, and shows that she is well able to juggle her personal practise with artist collaborations alongside running the gallery.

Silent Screams in the Valley of Uncanniness #78

Silent Screams in the Valley of Uncanniness #78

Netherlands-born Hackney artist, Janssen, prides herself on operating an “artist-run space” meaning approaching her approach is more artist-to-artist, rather than as a gallerist wishing walls to be filled.

She said: “We talk about our work, why we make it, what it means to us and the materials and techniques we use.

“It is really quite an amazing thing to be able to do: to see an artist I admire and then to be able to offer them a space and work with them. It’s a privilege not many artists have.”

The Karin Janssen Project Space in full swing

The Karin Janssen Project Space in full swing

From a rather long shortlist of 25 prospective artists, Janssen chose Gemma Nelson, Anna Smith and Rachel Bullock on account of the impulsive way that each artist works, the theme is central to GROWTH.

Emergence by Angela Smith

Emergence by Angela Smith

The work is allowed to take over in the vulnerable ‘creatures’ of Angela Smith which start with the pouring of paint which is then left to run and Gemma Nelson’s obsessive, cell-like tapestries appear to breed across the canvas.

Flaps by Gemma Nelson

Flaps by Gemma Nelson

Rachel Bullock’s charcoal drawings rise up like a flowing mountain of hair and fur coats while Janssen, whose work here features a paintings of a screaming mouth, plays with abstraction and familiarity in her human body series, Silent Screams in The Valley of Uncanniness.

Morand Lesovil by Rachel Bullock

Morand Lesovil by Rachel Bullock

Janssen said: “In some of the works the artist quite literally started in one corner and then saw where they would end up.

“That comes across in the work itself; you can see the searching and the chance findings.”

But it’s not only the GROWTH exhibition that has emerged from the evolving nature of each artist’s practise, Janssen said that over the last few months, she too has seen a change in the way she works.

Silent Screams in the Valley of Uncanniness #113

Silent Screams in the Valley of Uncanniness #113

“My practise has evolved a lot in the last few months as I have taken the narrative out of my work; it is pure emotion and flesh now.

“Often I start with a screaming mouth or something that vaguely resembles a mouth and then just see what I feel like drawing or painting around it.”

Silent Screams in the Valley of Uncanniness #114

Silent Screams in the Valley of Uncanniness #114

Janssen says that after independently curating her first show, Raw Skin in April, it suddenly became apparent that she needed to “take her work to the next level” and since the exhibition ended, she’s been “exploring the depths of an immense iceberg” in her work, which she says she is “nowhere near finished”.

And with each exhibition she sets up, Janssen says that she comes closer to her personal vision and that it’s important to get the balance right.

Installation at previous show, Raw Skin

Installation at previous show, Raw Skin

“It is truly a privilege to be able to wear those two hats, of curator and artist and to be able to let them feed into each other.

“But, as much as they complement each other, it’s an eternal balancing act, and I am very aware that I am first and foremost an artist; I wouldn’t want the gallery to take over my artistic side.”

After the success of Raw Skin, Janssen felt under pressure in the same way as those releasing the sequel to a best selling novel and said the whole thing was “nerve wracking”.

Growth by Gemma Nelson

Growth by Gemma Nelson


But the proof is always in the pudding and GROWTH, running until 17 November, has given Janssen confidence and inspiration for future exhibitions.

Having set up the Karin Janssen Project Space two years ago in an old hairdressers on Well Street, Janssen says GROWTH ties in with Hackney, in ways she did not initially see.

Silent Screams in the Valley of Uncanniness #141

Silent Screams in the Valley of Uncanniness #141

“The area is changing and growing quickly, but it happens organically and there doesn’t seem to be a big master plan.

“That’s what makes it such a dynamic, lively and interesting place to live.”

Drawing on the uncanny, the beautiful and ugly in the human body in her new work, Janssen suggests her latest series of paintings create a “repulsion/fascination” in the viewer and has noticed this reaction in the community who visit the gallery.

'Silent Screams in the Valley of Uncanniness #117' by Karin Janssen, part of GROWTH in Karin Janssen Project Space, 25 Oct - 17 Nov

“Hackney has a very varied population, you get people from all walks of life here and that is really reflected in the audience of my space.

“I love that, to have to talk about the art I show here to everyone, from a highly educated art audience to teenagers who live down the road, and to see all audiences react strongly, is a big compliment.”

GROWTH runs until 17 November

Karin Janssen Project Space
213 Well Street, E9 6QU

Painting The Way To Men’s Health

Every Movember, men across the world stop shaving and let their top lip whiskers grow wild to raise funds and awareness for prostate cancer and men’s health.

But what happens if you can’t grow a moustache?

The buy-a-beard.  For the hirsutely challenged

The buy-a-beard. For the hirsutely challenged.

For illustrator, Ben Rix, 25, the jostling jibes from friends about his inability to grow a “sponsor worthy moustache” was enough to put down the ‘tache comb and pick up a paint brush.

The Movember Series is made up of watercolour portraits of iconic musicians, all of whom are well known for their moustaches.

You wanna be in my Movember gang?

You wanna be in my Movember gang?

Paintings of Freddy Mercury, Lional Ritchie and Carlos Santana all feature in the show at The Lauriston, Victoria Park Road and Rix said: “I think I may already have a buyer for Lionel!”

One of the most significant pieces in the exhibition is a portrait of Frank Zappa who died of prostate cancer in 1993.

Frank Zappa, the man with the mo

Frank Zappa. The man with the mo.

Ben is also open to ideas for those who want a bespoke watercolour mo-mento.

“I am also taking requests for Movember portraits so if people want to commemorate their tash or have a hairy lipped icon painted they can get in touch and cash from the sales will go towards the cause.”

Although Rix works in different mediums from large scale murals to animation, he chose a different style for this series.

Freddy Mercury.  He knew what he was doing

Freddy Mercury. He knew what he was doing

“I chose portraiture as I find it stirs great emotional reactions in people which is very heart warming and gives huge purpose to my art.”

Rix’s Movember Series was started last year, and despite a great response, a lack of exhibition space meant that there was no platform for sales.

But thanks to spotting an advert in his local pub, Ben got in touch with Mr Gresty, a designer and curator who comes up with creative briefs, inviting artists to get involved with the opportunity to hold their own exhibition.

Carlos Santana.  Mexi-mo

Carlos Santana. Mexi-mo.

Mr Gresty said: “When I first saw Ben’s portraits I was blown away, it was a double take moment, you can be fooled into thinking they are photographs.”

The exhibition also features eight portraits of Rix’s close friends but as the show ran into Movember, Mr Gresty asked if he could include his Movember paintings.

“It all made sense!” he said.

Lionel Richie.  Is is mo, you're looking for?

Lionel Richie. Is is mo, you’re looking for?

For Rix, painting his moustached icons turned out to be far easier than growing a moustache himself.

“The Movember paintings didn’t prove too difficult to execute, just a lot of meticulous layering and fine brush work, especially on the tash!”

The exhibition continues until 15 November
The Lauriston
162 Victoria Park Rd
To submit your own commissioned moustache icon painting see Ben Rix’s website http://www.benrix.co.uk
For more about Mr Gresty’s art projects see the website http://www.mrgresty.com/art-projects/lhr-exhibitions